The symbolism of the Washington Arch, a marble version of one of four wooden triumphal arches erected in 1889 to celebrate the hundredth anniversary of George Washington's first inauguration, is nearly as complex as that of French's Continents. As in the Continents, the elements add up to a theme more complex than any single figure could convey.
On the northeast side of the Arch stands Washington as commander-in-chief. The caped cloak, tricorn and gloves recall the brutal winter of 1777-1778 at Valley Forge. Yet Washington looks into the distance, upright and unmoving: feet parallel, weight evenly balanced, hands resting on the hilt of an unsheathed sword. He's prepared to fight, yet calm and commanding—two of the qualities his compatriots most admired in him, and that helped his soldiers endure grueling periods such as those at Valley Forge. (See here for a sculpture representing Washington at Valley Forge.)
At Washington's feet are the business end of a cannon, and a cannonball. Flanking him are two allegorical figures in low relief. The figure on our left, Fame, carries the palm branch that signifies peace or fame. She also holds a trumpet, the usual allegorical way of announcing fame (hence "blowing your own horn"). Valor, on our right, wears a helmet and carries a sword in his left hand, the hilt raised to his shoulder. Behind his head are oak leaves, symbolizing courage. Between the two allegorical figures is a blank shield encircled by a wreath, which frames and thus emphasizes Washington's head.
On the right side of the Arch, Washington as president wears an elegant coat, waistcoat and knee breeches. He stands relaxed, weight on one leg, holding an open book and resting his hand on a lectern. It's the pose of a public figure rather than a scholar.
To the left of this Washingtonstands Wisdom, represented as the helmeted Greek goddess Athena. In her right hand she raises a lamp (?). Her right arm presses a long scroll against her body. Behind Wisdom's head are clumps of pine needles, perhaps a reference to Washington's Southern heritage.
On Washington's other side stands the muscular figure of Justice, wearing a battlemented crown and holding the traditional scales and sword. Instead of wearing a blindfold, he has simply closed his eyes. Behind Justiceis a curved ax head whose handle Wisdom'sleft hand grasps. Perhaps it refers to the execution of a sentence once Justice has decided the matter.
Behind Washington's head, carved on the pages of an open book that Justice grips with his right hand, is Washington's motto: Exitus acta probat, "The result (or outcome) justifies (or tests, or proves) the deed." In its colloquial translation, "The end justifies the means," it's an unexpected motto for a man as principled as Washington. A better translation - buttressed here by its close relationship to Justice - might be, "Judge me by the results of my actions."
The two major sculptural groups on the Arch show two facets of Washington: as a renowned and courageous military leader, and as a wise and just civilian leader. The subsidiary decoration reinforces and elaborates those images. Above the keystones on the north and south side are fierce American eagles by Philip Martiny. Flanking them in the spandrels are winged figures by MacMonnies, sculptor of Nathan Hale. Fame blows a trumpet; War brandishes a trident and a laurel wreath.
In the upper level of the Arch are four coats of arms.
At the northeast side, above Washington as commander-in-chief, are the arms Washington adopted from his British ancestors, bearing three stars above two bars. (These may have been Betsy Ross's inspiration for the Stars and Stripes.) Below the shield on a banner is the same Latin motto that appears behind the figure of Washington as president. At the northwest, above Washington as president, is the Great Seal of the United States. On the southwest are the arms of New York City, and on the southeast, those of New York State.
The inscription at the top of the south side of the Arch reads, "Let us raise a standard to which the wise and the honest can repair. The event is in the hand of God. - Washington." The quote in full is:
This quote summarizes the type of man Washington was, and the type of men he hoped to associate with and lead.
The message of the complex imagery on the Arch is more than the sum of its parts. It's a tribute to the Father of Our Country as a courageous military leader, a wise and just civilian leader, and a man of incorruptible integrity.
The statues on the north side of the Washington Arch show Washington as commander-in-chief and as president, but the Arch's only inscription refers to Washington's other important contribution to the newly independent United States: his participation in the Constitutional Convention.
A mere five years after he had accepted General Cornwallis's surrender at Yorktown, Washington saw the United States disintegrating under the toothless Articles of Confederation. When mobs stormed Massachusetts courthouses during Shays's Rebellion (1786-87), Washington wrote to Henry Lee:
Washington had hoped to retire to Mount Vernon, but in 1787 acquiesced when Virginia chose him as a delegate to the Constitutional Convention in Philadelphia. In the same room where the Declaration of Independenceand the Articles had been signed, and where the Congress met that had been his titular superior during the Revolutionary War, Washington was unanimously elected president of the Convention.
He arrived punctually for every session, six days a week for over four months, but hardly ever spoke. Perhaps he feared his authority would have disproportionate influence on the debates. The statement attributed to him by Gouverneur Morris (see above) was probably made outside the official sessions Yet Washington's mere presence among these men who had voted him commander-in-chief, served with him in the army, or visited him at Mount Vernon, was enough to remind the delegates of the exacting thought and unbreached integrity that would be required to hammer out a practicable governing document for the United States.
This page is adapted from Outdoor Monuments of Manhattan: A Historical Guide. A revised version (profusely illustrated) appears in Guides Who Know's Monuments of Manhattan app.
Washington was named commander-in-chief of the Continental Army on 6/15/1775. His acceptance (from the notes of the Continental Congress, 6/16/1775):
Here's the address he gave to his troops before the Battle of Long Island, 8/27/1776.