The Digital Canvas: Sculpture in the Virtual Realm

Technology has propelled contemporary sculpture beyond the confines of the physical world into the boundless expanse of the virtual realm. Digital sculpting software, such as ZBrush and Blender, enables artists to craft intricate and complex forms with unprecedented precision. By manipulating virtual clay and experimenting with various textures, artists can bring their visions to life in ways that were once unimaginable.

Furthermore, the digital space offers a playground for experimenting with scale, proportion, and materials. Sculptors can visualize how their creations would appear in different sizes or compositions, allowing for more informed decisions before embarking on the physical creation process. This virtual sandbox has become an essential space for artists to refine their ideas and embrace innovation before translating them into tangible works.

Bridging the Gap: 3D Printing and Sculptural Creation

One of the most revolutionary advancements in contemporary sculpture is the advent of 3D printing technology. This technology has democratized the creative process by allowing artists to transform digital designs into physical sculptures with astonishing accuracy. From delicate sculptures with intricate details to monumental installations, 3D printing transcends traditional limitations, granting artists newfound freedom to explore uncharted artistic territories.

By seamlessly merging computer-generated designs with the tactile nature of physical sculptures, artists can experiment with unconventional forms, textures, and geometries. This bridge between the digital and physical worlds has given rise to a wave of innovation, as sculptors reimagine their creative boundaries and push the envelope of what is possible.

Interactive and Kinetic Sculpture: Engaging the Audience

Technology has also catalyzed a shift in the way sculptures engage with audiences. Contemporary sculptors are increasingly incorporating interactive and kinetic elements that respond to the viewer’s presence or environment. Light, sound, and motion sensors embedded within sculptures create dynamic and immersive experiences that transform the traditional notion of a static artwork.

This evolution has transformed sculpture into an interactive dialogue between the artwork and the viewer. With a touch or a gesture, spectators can trigger movements, illuminate hidden facets, or initiate auditory responses, transcending the traditional passive viewing experience. Through technology-infused interactivity, sculpture becomes a living, breathing entity that sparks curiosity and engagement.

Preserving and Augmenting Tradition: Mixed Media and New Materials

While technology brings innovation to the forefront, it also pays homage to artistic traditions by seamlessly integrating with traditional sculptural mediums. Sculptors are exploring the marriage of classic materials—such as stone, wood, and metal—with modern techniques. Laser cutting and CNC (Computer Numerical Control) machining enable artists to achieve unparalleled precision when carving or shaping traditional materials, resulting in harmonious blends of old and new.

Furthermore, artists are also experimenting with unconventional materials like biodegradable plastics, recycled materials, and even living organisms. This infusion of modern materials challenges the traditional notions of permanence and decay, sparking discussions about sustainability and the environment.

Conclusion

The influence of technology on contemporary sculpture has transcended mere novelty, shaping a new era of artistic expression that marries the traditional with the innovative. Through digital sculpting, 3D printing, interactivity, and material experimentation, artists are breaking free from the limitations of the past and embracing a future where imagination knows no bounds.

The dynamic relationship between technology and sculpture has opened avenues for cross-disciplinary collaborations and expanded the horizons of what can be achieved. As technology continues to advance, the landscape of contemporary sculpture will undoubtedly continue to evolve, blurring the lines between what is real and what is possible. The integration of tradition and innovation is not just a convergence of opposites; it’s a celebration of human creativity that showcases the timeless essence of art in the digital age.

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The Written Word as a Catalyst:

When words and sculpture converge, a unique artistic synergy is born. The written word has long served as a catalyst for creative expression, and when it finds its way into the realm of sculpture, it adds an additional layer of depth and meaning. Sculptors harness the power of language to infuse their works with narratives, inviting viewers into a world where stories unfold through tactile forms. From abstract pieces that provoke introspection to figurative sculptures that depict specific tales, the integration of written words invites us to engage with art on a more intimate and cerebral level.

Exploring Themes and Concepts:

One of the intriguing aspects of modern sculpture that incorporates the written word is the exploration of various themes and concepts. Sculptors often draw inspiration from literature, poetry, and philosophical texts, using excerpts or entire passages to infuse their works with deeper meaning. By selecting specific words or phrases, sculptors can convey a particular mood, highlight social issues, or reflect on personal experiences. The fusion of writing and sculpture allows for a multi-dimensional interpretation, enabling viewers to connect with the art in a more profound and introspective manner.

PapersOwl Writing Service: Enhancing the Artistic Process:

In the realm of writing, services like PapersOwl provide valuable assistance to artists and individuals who seek professional writing support. PapersOwl offers a wide range of writing services, including essay writing, research papers, and content creation, which can be beneficial for sculptors seeking to integrate the written word into their artistic process. By collaborating with professional writers, sculptors can articulate their vision more effectively, ensuring that the words chosen align with their creative intent. PapersOwl’s expertise can help sculptors refine their ideas, construct compelling narratives, and enhance the overall impact of their sculptural creations.

Examples of Noteworthy Sculptures:

Numerous modern sculptures stand as compelling examples of the art of storytelling through the written word. One such masterpiece is Jaume Plensa’s “Crown Fountain” in Chicago’s Millennium Park. This interactive installation features two towering glass block towers displaying the faces of Chicago residents. Embedded within the glass blocks are LED screens that showcase an ever-changing stream of text, including snippets of conversations and stories collected from the local community. Plensa’s creation merges sculpture, technology, and the written word to reflect the diversity and stories of the city’s inhabitants.

Another striking example is Barbara Kruger’s thought-provoking installation titled “Untitled (Your Body is a Battleground).” Kruger’s work combines bold, large-scale typography with a photographic image, challenging societal norms and highlighting issues related to feminism and women’s rights. The juxtaposition of text and image in Kruger’s sculpture prompts viewers to reflect on the power of language and its impact on our perceptions of gender and identity.

Conclusion:

The art of storytelling in three-dimensional form through the fusion of writing and modern sculpture opens up a world of creative possibilities. By incorporating the written word into their works, sculptors infuse their creations with narratives, evoke emotions, and invite viewers to engage with art on a deeper level. Whether through the exploration of themes and concepts, collaboration with professional writing services, or the creation of thought-provoking installations, the written word continues to enrich and transform the realm of modern sculpture, creating a captivating space where stories come to life in a tangible and visually arresting manner.

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Introduction:

Modern sculpture plays a vital role in contemporary art, pushing boundaries and challenging traditional notions of form and expression. Understanding the artist’s process behind these captivating creations allows us to appreciate the depth and innovation embodied in modern sculptures. This article delves into the world of modern sculpture, providing insights into the artistic journey and techniques employed by artists.

I. Historical Context of Modern Sculpture:

The transition from traditional to modern sculpture marks a significant shift in artistic expression. Movements such as Cubism, Abstract Expressionism, and Minimalism have shaped the evolution of modern sculpture. Technological advancements, including 3D printing and computer-aided design, have also had a profound impact on sculptural practices, enabling artists to explore new possibilities.

II. Inspiration and Conceptualization:

Modern sculptors draw inspiration from a variety of sources, ranging from personal experiences to societal issues. Their work often reflects a conceptual framework that explores abstract ideas or communicates specific messages. Through case studies, we can witness the diverse approaches artists take to generate and develop their ideas.

III. Material Selection and Experimentation:

Materials play a crucial role in modern sculpture, as artists carefully consider their expressive qualities and visual impact. From traditional materials like marble and bronze to unconventional choices like found objects and recycled materials, artists experiment with a wide range of mediums. This section explores the significance of material selection and showcases artists who push boundaries through innovative material experimentation.

IV. Tools, Techniques, and Processes:

The tools and techniques used in modern sculptural practices vary widely. Traditional methods such as carving, modeling, and casting are still employed, but artists also embrace contemporary approaches like welding, assemblage, and installation art. By examining specific processes, we gain insight into the meticulous craftsmanship and skill required to bring modern sculptures to life.

V. Collaboration and Technology:

Collaboration has become increasingly prevalent in modern sculpture, as artists engage with other creatives and experts to bring their vision to fruition. Furthermore, technology has revolutionized sculptural creation, allowing artists to explore new avenues of expression. This section delves into collaborative practices and examines the impact of technology on the artist’s process.

VI. Challenges and Problem-Solving:

The creation of modern sculptures is not without its challenges. Artists face technical obstacles, logistical constraints, and conceptual dilemmas that require innovative problem-solving. By analyzing the solutions artists employ, we gain a deeper appreciation for their artistic resilience and ingenuity.

VII. Reflection and Iteration:

Reflection and iteration are integral aspects of the artist’s process. Sculptors often engage in continuous refinement and exploration, revisiting and reimagining their work through multiple iterations. This section explores how artists embrace the feedback and critique process to refine their sculptures and deepen their artistic vision.

VIII. Exhibition and Display:

The exhibition and display of modern sculptures require thoughtful considerations. Artists strategically curate their work, considering factors such as spatial arrangements, lighting, and interaction with the audience. This section examines innovative exhibition approaches that enhance the viewer’s experience and provide meaningful contexts for the sculptures.

Conclusion:

Understanding the artist’s process in creating modern sculptures provides a glimpse into the artistic journey and the immense effort invested in bringing these remarkable creations to life. By exploring the historical context, material selection, tools and techniques, collaboration, and problem-solving strategies, we gain a richer appreciation for the evolution and relevance of modern sculpture in contemporary art. The continued exploration of the artist’s process ensures that modern sculpture will continue to captivate and inspire audiences for generations to come.

FAQ:

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In this article, we will explore the 10 most expensive sculptures ever sold at an auction, and learn more about their creators, their meanings, and their impact on the world of art.

Sculptural art does not seem to drop in prices for the last few years. In fact, it may even increase in value as part of the overall art market trend. The Mei Moses All Art Index, which tracks re-sales of artworks at auction, registered a 17% increase in the value of art across categories in 2021. The global art and sculpture market is also expected to grow at a considerable rate during the forecast period from 2022 to 2030.

Of course, these trends may vary depending on different factors, such as supply and demand, quality and rarity, historical and cultural significance, or personal preferences. Some sculptures may appreciate more than others over time.

Here is the list of the most expensive sculptures in 2023:

1. L’Homme au doigt (Pointing Man) by Alberto Giacometti: A bronze sculpture of a thin man pointing his finger, created in 1947. It sold for $141.3 million in 2015 at Christie’s New York. It is considered one of Giacometti’s most iconic and evocative works.
2. L’Homme qui marche I (Walking Man I) by Alberto Giacometti: Another bronze sculpture of a thin man, this time walking with his arms at his sides, created in 1960. It sold for $104.3 million in 2010 at Sotheby’s London. It is regarded as a symbol of humanity and resilience.
3. Balloon Dog (Orange) by Jeff Koons: A stainless steel sculpture of a balloon dog with a glossy orange finish, created in 1994-2000. It sold for $58.4 million in 2013 at Christie’s New York. It is part of Koons’ Celebration series that explores childhood themes and consumer culture.
4. Tulips by Jeff Koons: Another stainless steel sculpture with a glossy finish, this time depicting a bouquet of tulips in different colors, created in 1995-2004. It sold for $33.7 million in 2012 at Christie’s New York. It is also part of Koons’ Celebration series that celebrates life and love.
5. Le Grand Vélo (The Big Bicycle) by Pablo Picasso: A painted iron sculpture of a bicycle with oversized wheels and handlebars, created in 1950-1951. It sold for $29 million in 2021 at Sotheby’s London. It is one of Picasso’s playful interpretations of everyday objects that reflect his interest in Surrealism and Cubism.
6. Madame LR (Portrait de Mme LR) by Constantin Brâncuși: A carved wood sculpture of a woman’s head and torso with abstract forms, created in 1914-1917. It sold for $27 million in 2009 at Christie’s Paris. It is one of Brâncuși’s experiments with simplifying human figures to their essence.
7. Balloon Swan (Yellow) by Jeff Koons: Another stainless steel sculpture of a balloon animal with a glossy yellow finish, this time depicting a swan with an elongated neck, created in 2004-2011. It sold for $25 million in 2017 at Christie’s New York. It is also part of Koons’ Celebration series that expresses joy and beauty.

8. La Muse Endormie (The Sleeping Muse) by Constantin Brâncuși: A bronze sculpture of a woman’s head resting on its side, created in 1913. It sold for $24.6 million in 2017 at Christie’s New York. It is one of Brâncuși’s variations on the theme of sleep and dreams.

9. Reclining Figure: Festival by Henry Moore: A bronze sculpture of a reclining female figure with curved forms, created in 1951. It sold for $24.5 million in 2016 at Christie’s London. It is one of Moore’s explorations on the relationship between human body and landscape.

10. Oiseau dans l’espace (Bird in Space) by Constantin Brâncuși: A bronze sculpture of an abstract bird soaring upwards, created in 1928. It sold for $23.8 million in 2005 at Christie’s New York. It is one of Brâncuși’s attempts to capture movement and flight through minimal shapes.

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1. The “Jean Arp” collection by Georg Jensen

In 2012, Danish jewelry brand Georg Jensen released a collection inspired by the abstract sculptures of Jean Arp, a German-French artist known for his biomorphic forms. The collection features pieces in sterling silver and 18k gold, with fluid lines and organic shapes reminiscent of Arp’s sculptures. One standout piece is the “Arp Cuff,” a silver cuff bracelet with a sculptural shape that wraps around the wrist.

2. The “Flora” pearl earrings by Ana Khouri

Brazilian jewelry designer Ana Khouri created a pair of pearl earrings in 2019 inspired by the sculptures of French artist Jean Arp. The “Flora” earrings feature organic shapes in gold and white pearls, with a sense of movement and fluidity that evokes Arp’s biomorphic forms. The earrings are part of Khouri’s larger “Flora” collection, which explores the relationship between nature and sculpture.

By the way, on Delagem.com you will find a decent collection of pearl earrings (and much more affordable, too).

3. The “Goddess” necklace by Cindy Chao

Taiwanese jewelry designer Cindy Chao is known for her elaborate and sculptural pieces, often inspired by nature and art history. In 2018, she unveiled the “Goddess” necklace, a stunning piece featuring a 104.03-carat yellow diamond set in a sculpted gold and titanium frame. The design is inspired by the goddesses of ancient Greek mythology, and the necklace resembles a flowing gown or robe. Chao’s use of gold and titanium creates a sense of movement and fluidity, much like the draped garments of classical sculptures.

4. The “Boucheron Pearl and Diamond Necklace”

In 2017, a pearl and diamond necklace by French jewelry brand Boucheron sold for over $600,000 at auction. The necklace features a large, baroque pearl at its center, with a sculptural diamond and gold setting that resembles a blooming flower. The design is inspired by the art of the Rococo period, known for its ornate and whimsical sculptures and architecture. Similar pearl necklaces are represented by Delagem.com.

5. The “Panthére de Cartier” collection

As mentioned earlier, the iconic Panthére bracelet was inspired by the sculpted panthers that were popular in Art Deco design. Cartier has since expanded the Panthére collection to include rings, necklaces, earrings, and watches, all featuring the panther motif. The pieces are made of gold or platinum, with diamonds, emeralds, and onyx accents. The Panthére de Cartier collection embodies the sleek and powerful aesthetic of Art Deco sculpture.

6. The “David Yurman Venetian Quatrefoil” collection

David Yurman is a jewelry brand known for its use of natural materials and sculptural designs. The Venetian Quatrefoil collection features pieces inspired by the ornate architecture of Venice, particularly the quatrefoil shape seen in many Gothic and Renaissance buildings. The pieces are made of sterling silver or 18k gold, with gemstones such as citrine, peridot, and amethyst. The intricate, interlocking shapes of the collection evoke the intricate details of Gothic sculptures and architecture.

7. The “Métiers d’Art Hommage à l’Art de la Danse” watch by Vacheron Constantin

Swiss watchmaker Vacheron Constantin created a stunning timepiece in 2014 inspired by the art of dance. The Métiers d’Art Hommage à l’Art de la Danse watch features a series of sculpted gold dancers in various poses, set against a background of enamel and diamonds. The design is inspired by the ballets of Edgar Degas, known for his sculptures and paintings of dancers. The watch combines the precision and elegance of watchmaking with the fluidity and movement of dance sculptures. The watch sold for over $100,000 at auction.

8. The “Pharaohs” collection by Bulgari

In 2019, Italian jewelry brand Bulgari released a collection inspired by the art and architecture of ancient Egypt. The collection features pieces in gold, lapis lazuli, and malachite, with sculptural shapes inspired by Egyptian gods, pharaohs, and hieroglyphics. The “Pharaohs” necklace, for example, features a gold pendant in the shape of a falcon, a symbol of the god Horus, with inlaid lapis lazuli and diamonds.

9. The “Calder” collection by John Hardy

In 2017, jewelry brand John Hardy released a collection inspired by the wire sculptures of American artist Alexander Calder. The collection features pieces in silver and gold, with fluid lines and abstract shapes that resemble Calder’s playful and whimsical sculptures. The “Calder” earrings, for example, feature delicate wirework that creates the illusion of movement and balance.

10. The “Artemis” collection by Lydia Courteille

French jewelry designer Lydia Courteille created a collection in 2018 inspired by the goddess Artemis, known in Greek mythology as the goddess of the hunt and wilderness. The collection features pieces in gold and silver, with sculptural shapes and gemstone accents that evoke the natural world. The “Artemis” necklace, for example, features a sculpted gold pendant in the shape of a stag’s head, with diamonds and sapphires for eyes.

11. The “Buddha” necklace by Cartier

In 2015, Cartier released a stunning necklace inspired by the art and iconography of Buddhism. The “Buddha” necklace features a large, carved emerald in the shape of the Buddha, surrounded by smaller emeralds and diamonds. The design is inspired by the statues of the Buddha found throughout Asia, which often feature intricate carvings and precious materials.

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Such a sculpture can be made of stone, plaster, metal or concrete. The more imposing the object, the more solid materials are used.

Another type of sculpture is a relief, which is visible only from the front and from the side. Relief sculpture looks good on facades, interior walls, monuments, etc. Most of the relief compositions are made of plaster, as this material perfectly conveys the play of light and shadow, even in a small room. Also with the help of gypsum you can provide a clear detailing of the composition.

The possibilities of free spatial design, which stand-alone sculpture offers, are not always fully used by craftsmen. It all depends on the preferences and vision of the artist. The surrounding interior is also taken into consideration.

Like many archaic sculptures, the work may be designed to be viewed from only one or two fixed positions. Or it may simply be a relief that does not require viewing from different angles. In this case, the subject, the play of shadow and light, and the craftsmanship of the fine details come to the fore.

Sixteenth-century Mannerist sculptors, on the other hand, emphasized the need to use the all-round visibility of the freestanding sculpture. For example, Giambologna’s The Abduction of the Sabine Women, which is a striking example of spatial design, literally forces the viewer to go around and examine the creation from all sides. The peculiarity of the work is the absence of principled views: the forms of the sculpture move around the central axis of the composition, unfolding as the viewer moves.

Most of the sculptures of Henry Murai and other 20th century sculptors do not deal with movement of this kind. Nor do they require a fixed position for the viewer to understand the authors’ intent. Rather, it is a freely designed structure of multidirectional forms that unfolds and expands in space.

And yet most of the sculptures are freely positioned in space and involve viewing from all sides. It also happens that the viewer can walk through them.

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Art has always been called upon to serve higher ideals. Contemporary sculptures are filled with inner light. In their works the masters express a common aspiration – to fill the world with positive images, to create a sculpture in which you can feel the presence of a living soul. The sculptors dedicate their works to universal values, affirming love, joy, harmony, prayer, faith, hope, mercy, compassion. The contemporary sculptures of “Author’s Sculpture” artists bring concepts of the spiritual world into the form in many ways and become a channel between the world of the earthly and the mundane.

The theme of the Great Teachers of Humanity deserves special attention. The sculptor creates portraits of great sages, founders of spiritual teachings, scientists, writers, discoverers and mentors of humanity of all times and peoples. Modern sculpture is a unique phenomenon of the spiritualization of sculpture. The sculptor manages to achieve that effect, when the eyes of the sculpture turn into a conscious deep living look of a philosopher, a sage at his contemporaries. The upward gaze, illuminated by the highest ideas of the French folk heroine Joan of Arc or the founder of the spiritual teachings of India Krishna, the Persian sage-poet Omar Khayyam; the eyes of Euclid, Pythagoras, Hypatia, Paracelsus, Copernicus and Giordano Bruno, Michael Faraday, Descartes, deepened in reflection, focused on their discoveries in the world of science, captured the special world of discovery that was brought to humanity through the great scientists. With special reverence, the sculptor created the sculptural faces of Jesus Christ, Buddha, Zoroaster, Hermestus Trismegistus, Lao Tzu, and Confucius.

Modern sculpture of the 21st century, leaving the external pretentious effects in the past, is moving towards an awareness of the innermost that is hidden in the form, sculpture is increasingly becoming an expression of the highest meanings.

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In the last decades of the 20th century genres that were unusual for sculpture – still life and landscape (mostly in ceramic sculpture) – emerged. New forms of easel sculpture appeared – abstract compositions, objects on the verge of an object, technical construction and sculpture. easel sculpture uses different technical methods – modeling, cutting, carving, casting, hammering, forging, embossing, welding, various materials – stone, metal, wood, clay, gypsum, ceramics, glass, plasticine, wax, synthetic polymeric compounds. Ready-made objects borrowed from everyday life or technical sphere can also be introduced into the composition.

Easel sculpture, both cult and secular, has been known since antiquity: it was widespread in the art of the Ancient East and antiquity (portrait, votive sculpture, small plastics). In Modern times easel sculpture meant work intended for exhibitions, museums, public and private interiors (in the 19th century the notion of “cabinet sculpture” arose) and for sale on the art market.

Easel sculpture is intended for perception from a close distance, it is not connected with the objective environment and the architecture of a particular interior, it assumes continuous contact with the viewer, encouraging him to empathize. The usual size of easel sculpture is less than natural size, equal to it or slightly higher.

Easel sculpture is characterized by narrative, psychological, often using the language of metaphor and symbol. By virtue of the relative independence of the surrounding environment and the architectural situation, as well as the diversity and mobility of used techniques easel sculpture can have a pronounced experimental character. It can easily embody new ideas, comprehensively manifested features of the author’s individuality.

In the XX century easel sculpture, expanding its species and genre boundaries, is getting closer to painting, arts and crafts, architecture and theater.

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Today the situation is changing rapidly: there are more and more women artists at exhibitions, in galleries, at auctions. For example, at the largest exhibition of contemporary art, the 59th Venice Biennale, which takes place from April to November this year, most of the participants are women and non-binary people. This emphasis is deliberate, to show the contribution that women artists have made to contemporary art and that there are indeed many of them.

It’s hard to call this trend new, but now it’s gaining more and more momentum.

Unusual Locations
More and more often modern art can be found in the most unexpected locations: on a city’s central square, in a temple, in a restaurant or even a mall.

There is nothing specific in the fact that art surrounds people in their daily lives; examples can be found in any era: religious frescoes on the walls and plafonds of cathedrals, sculptures in palace parks, paintings and engravings in aristocratic mansions.

The contrast is striking when modern art objects are exhibited next to classical art. For example, in Venice inside the Scuola Grande di San Giovanni Evangelista, works by contemporary artist Ugo Rondinone are on display alongside Renaissance paintings as part of the “Burn, Shine, Pari” exhibition.

Such art interventions are usually temporary and allow us to look at classical works from an unusual angle, discover new meanings in them and raise the status of contemporary art, which is also capable of speaking about the sublime and the beautiful – just in a different language.

Participatory art
I’m talking about art that involves the viewer and turns him or her from a bystander into a participant in the creative process.

A recent example that I saw this summer was a skatepark-like installation at a contemporary art exhibition where anyone can bring their own skateboard and ride it. This art-object is presented at the exhibition documenta 15 in the German city of Kassel, which every 5 years becomes the main point of art-experiments. The work of the Thai collective speaks the language of action, attracting the attention of young audiences and making the exhibition space more democratic and accessible.

Another example of the public’s active interaction with an art object is Carsten Höller’s installation in the form of a large slide, down which not only children, but adults as well can descend. To offer an unconventional experience or to resurrect long forgotten experiences is capable of art that is not afraid of experimentation and challenges the familiar.

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NFT – This is the kind of digital asset that represents something unique. The familiar tokens Bitcoin, Ethereum, Ripple and others belong to the class of fungible assets. In this, they are similar to traditional (fiat) money.

What is fungibility? You can exchange any banknote of 1,000 rubles to another banknote of the same denomination, and the value of your assets will not change. Likewise, any two bitcoins have the same value in the market and can be exchanged at the same time at the same rate to another currency, or the same goods and services can be obtained for them (in those countries where it is allowed).

An example of non-exchangeable real assets is real estate, art objects, or any other assets that cannot be exchanged for exactly the same ones with the same value. It is impossible to find two identical apartments located at the same address, on the same floor, with the same layout, area, and view from the window. Some characteristics will definitely be different.

All possible assets can be divided into: Interchangeable and Non-Interchangeable, and into Physical and Digital. Unique items in online video games, NFT certificates and crypto-art items themselves refer to Digital Non-exchangeable assets
A big and long-standing problem in the world of digital art is how easily it can be copied and distributed. Once something is copied and replicated for free, the value of that asset drops, and all perspective of the market disappears. For something to have value, it needs to be scarce.

Blockchain helps digital artists solve this problem by introducing the idea of “digital scarcity”: producing a limited number of copies of items and tying them to unique tokens that confirm ownership.

A token in this case is a digital certificate that is stored in a secure and decentralized database – a blockchain. It confirms your right to something unique. You can attach it to anything: JPEGs, GIFs, MP4s, even music. This token, proving ownership of the “original” file, is stored in the blockchain.

NFT is intellectual property, your right to which is publicly proven on the blockchain.

Everyone can download and share your picture, they can even print it out and hang it on their wall, but only you will own it. And only you, respectively, can sell the artwork.

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